


Dinner Date (Strix Style)![]() |
The stryx feeding with comments and questions when all you want to do is enjoy your burger.
Year: 2015 |


Homeward Bound![]() |
The fortune reads:
You will be involved in many humanitarian projects.
Year: 2016 |




January-June 2014
Works on Paper represents the transition where the representational figure began to morph into the abstract. This gestation period made way for a new visual language that is still being actualized. Animals adorned in circles are symbolic of the loyal armor-clad horses of the Middle Ages. New materials of acrylic, pencil, and oil pastel were introduced and expressed.
More images are available upon request.

January-June 2014
Works on Paper represents the transition where the representational figure began to morph into the abstract. This gestation period made way for a new visual language that is still being actualized. Animals adorned in circles are symbolic of the loyal armor-clad horses of the Middle Ages. New materials of acrylic, pencil, and oil pastel were introduced and expressed.
More images are available upon request.

January-June 2014
Works on Paper represents the transition where the representational figure began to morph into the abstract. This gestation period made way for a new visual language that is still being actualized. Animals adorned in circles are symbolic of the loyal armor-clad horses of the Middle Ages. New materials of acrylic, pencil, and oil pastel were introduced and expressed.
More images are available upon request.

January-June 2014
Works on Paper represents the transition where the representational figure began to morph into the abstract. This gestation period made way for a new visual language that is still being actualized. Animals adorned in circles are symbolic of the loyal armor-clad horses of the Middle Ages. New materials of acrylic, pencil, and oil pastel were introduced and expressed.
More images are available upon request.

January-June 2014
Works on Paper represents the transition where the representational figure began to morph into the abstract. This gestation period made way for a new visual language that is still being actualized. Animals adorned in circles are symbolic of the loyal armor-clad horses of the Middle Ages. New materials of acrylic, pencil, and oil pastel were introduced and expressed.
More images are available upon request.

January-June 2014
Works on Paper represents the transition where the representational figure began to morph into the abstract. This gestation period made way for a new visual language that is still being actualized. Animals adorned in circles are symbolic of the loyal armor-clad horses of the Middle Ages. New materials of acrylic, pencil, and oil pastel were introduced and expressed.
More images are available upon request.

January-June 2014
Works on Paper represents the transition where the representational figure began to morph into the abstract. This gestation period made way for a new visual language that is still being actualized. Animals adorned in circles are symbolic of the loyal armor-clad horses of the Middle Ages. New materials of acrylic, pencil, and oil pastel were introduced and expressed.
More images are available upon request.
Lady Lou![]() |
Coffee, ink, pencil on paper
$100
Year: 2014 |

January-June 2014
Works on Paper represents the transition where the representational figure began to morph into the abstract. This gestation period made way for a new visual language that is still being actualized. Animals adorned in circles are symbolic of the loyal armor-clad horses of the Middle Ages. New materials of acrylic, pencil, and oil pastel were introduced and expressed.
More images are available upon request.


2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.
Animal Attraction![]() |
He likely has no idea this is about him. He should though, of course.
Year: 2013 |

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.
Louis Bee K.![]() |
Simple. Subtle. And dare I say, sweet? Louis Bee K.
$1000
Year: 2013 |

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.
Mannequin Trust![]() |
Scoliosis brace life - walking tall - the wire forms we build around ourselves
Year: 2014 |

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.
The Memories of Rice![]() |
Habits made and broken - foods no longer welcome in the digestive system - crying over the break up with rice
Year: 2014 |

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.

2013-2014
Animal Crackers is the descendant of the Girl and Rabbit series (2001-2009). Much like Leonora Carrington, my work created a figurative lexicon of animal mythology and spiritual folklore, presenting the animal as a seer and teacher to humans if they are attuned to it. Personal experiences such as relationships and my life with scoliosis humanized the animals who seemed to be wearing masks over their human faces. Are we aware of the animal personalities we act out each day?
The Arizona Science Center planetarium created an animated show of this body of work in June 2014.
More images are available upon request.